Karim Zeriahen's 'It's Taken Me All Of My Life To Find You'




Karim Zeriahen is a name to reminisce on this spring in the artistic sphere as he has just launched his first solo spring exhibition ‘It’s Taken Me All of My Life to Find You’ at the Lazarides Rathbone.

His multimedia exhibition challenges his audience’s perspective of individual identity in both poetic and ironic ways. What Karim’s exhibition does in a refreshingly diverse way, is that he strays away from the precincts of film to which he previously focused his methods on and instead, as a progressive move, has used shapes, lines and light to present movement and emotion in a bid to reveal the creative energy inside.



This impulse was the focused element of his works as Zeriahen abides to the indication that creative energy is in fact heavily rejected by the commercialism of the art world in favour for idolatory worship of branded individuals.

At first impression, in the gallery’s entrance, we were presented with portraits of different women of significance. Zeriahen has selected his muses based on his admiration for them both professionally and personally. La Contessa Cristiana Brandolini d'Adda, Julia Peyton Jones, Cecilia Bengolea, Victoire de Pourtales, Marie Donnelly were chosen to showcase their inner strength and originality and so provided the central theme of Zeriahen’s exhibition.






 Further presented in the second room of the gallery was a collection of abstract neon elements which bore similarity to the pencilling of Cy Twombly.


 In a bid to confront the audience, the name entitled to this section ‘The Writing’s On The Wall’ challenged the expectations one had when entering the room as we attempted to critically question and analyse exactly what was behind the message.


Interestingly, the emphasis on the ‘Give Me Light’ feature was the show stopper as an entire room was dedicated to a constructed confession box holding original footage of Kate Moss. Alongside the footage was a hauntingly eclectic classical score commissioned by Henry Bennett. The purpose of this installation was indeed to a remark on ‘ idolatry, the replacement of religions by the cult of celebrities and the loss of meaning and a persistent obsession of the individual’. 


Zeriahen’s exhibition runs until 10th May at the Lazarides Rathbone Gallery so do visit it for an insight into this artistic masterpiece.


Exhibition dates: 11th April – 10th May, 2014

Lazarides Rathbone, 11 Rathbone Place, W1T 1HR
+ 44 (0) 207 636 5443

Tuesday - Saturday 11am - 7pm, admission free

 www.lazinc.com 




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